Mac Miller: Watching Movies With The Sound Off
In my Swimming review, I mentioned briefly that I had a kind of fascination with Mac Miller. I didn’t consider him the most impactful…
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Death Grips: Year of the Snitch
“Black Paint” is the embodiment of everything I love and hate about Death Grips: the abrasive, challenging sonic aesthetic and the esoteric, borderline useless…
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Blood Orange: Negro Swan
Dev Hynes work as Blood Orange lead some of the most intricate and creative R&B music, blending genres in a way that creates a…
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Amine: ONEPOINTFIVE
The best way to describe how deeply Amine fell into obscurity for me after Good For You is through the fact that I had…
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Ariana Grande: Sweetener
Of this seasons crop of mainstream, Billboard Hot 100 pop songstresses, Ariana Grande is definitely my personal favorite, mostly for her sheer vocal talent….
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Father John Misty: God’s Favorite Customer
Father John Misty’s Pure Comedy is possibly one of my favorite albums to come out in this still unfinished decade. It’s paradoxical. It’s as…
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G Herbo and Southside: Swervo
According to the title track, Swervo is an alter ego for G Herbo, one in which he can discuss more basic rap topics like…
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Mac Miller: Swimming
I’ve always had somewhat of a mild fascination with Mac Miller. I’m not entirely sure what about him consistently garners my attention. Perhaps it’s…
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Travis Scott: Astroworld
There has never been a Travis Scott project that didn’t make me say “What is this?” Astoundingly, almost each time I’ve said that, it’s…
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Denzel Curry: TA13OO
When this album’s first ‘act’ came out, I was impressed by what seemed to be Denzel Curry venturing outside of his comfort zone. While…
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