Charly Bliss: Forever
It’s been just over five years since the Brooklyn power pop band Charly Bliss released their well-received sophomore full-length, Young Enough. In the same…
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Camera Obscura: Look to the East, Look to the West
After the passing of keyboardist Carey Lander in 2015, Camera Obscura took a four-year break, reuniting in 2019 to play some live gigs. Soon…
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Hovvdy: Hovvdy
It’s been three years since the Austin, Texas duo Hovvdy released a full-length studio album, so it only makes sense that their new self-titled…
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The Jesus and Mary Chain: Glasgow Eyes
Next year will mark the fortieth anniversary of Psychocandy, the groundbreaking, distortion-laden debut full-length from Scottish noise pop darlings, and progenitors of shoegaze, The…
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Sheer Mag: Playing Favorites
Playing Favorites, the third studio album by Philadelphia, Pennsylvania’s Sheer Mag, is loaded for bear. If you interpret the word “loaded” to mean this…
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Chastity Belt: Live Laugh Love
It’s only been seven years since Chastity Belt released their excellent album, I Used to Spend So Much Time Alone. Between then and now,…
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Middle Kids: Faith Crisis, Pt. 1
Titling your album Faith Crisis, Pt. 1 would imply that there will be, at the very least, a Faith Crisis, Pt. 2. If at…
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Sleater-Kinney: Little Rope
It’s a strange time to be a Sleater-Kinney fan. Four years after a ten-year hiatus that ended in 2015 with the release of the…
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Grandaddy: Blu Wav
Although Blu Wav, the sixth studio album by Grandaddy, is credited to the band, it may as well be a Jason Lytle solo album…
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Idles: Tangk
On their fifth studio album in seven years, Bristol, England post-punk band Idles continue their sonic evolution by pairing producers Kenny Beats, who helmed…
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