Four Year Strong: analysis paralysis
When a band blatantly admits they don’t know where to go with an album, it can smell like a disaster on the horizon. Four…
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Fontaines D.C.: Romance
Between the release of 2022’s Skinty Fia, a number one album in Ireland, England and Scotland, and Romance, Irish post-punkers Fontaines D.C.’s fourth studio…
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Garagee: Garagee III
For the past decade and a half, Melbourne multi-instrumentalist Garagee (nee Rob McPherson) has been releasing instrumental albums mixing his love for complex guitar…
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Zeal & Ardor: Greif
Since their inception in 2013, Swiss black metal band Zeal & Ardor have taken many different forms in their career. A constantly evolving enigma…
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Sophie Lilah: Fear/Instinct
If you are at all familiar with Australian music from the last decade and a half, you are aware of “dolewave.” Although originally used…
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Tex Patrello: Minotaur
The universe of Tex Patrello’s “Minotaur,” is that of the sublime and even supernatural. Right out of the gate, “Ricky” is immediately immersive within…
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Charly Bliss: Forever
It’s been just over five years since the Brooklyn power pop band Charly Bliss released their well-received sophomore full-length, Young Enough. In the same…
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BP Infinite: Kill or Be Killed
Long Island-based producer, BP Infinite has worked with hip hop legends like Tragedy Khadafi and Shabaam Sahdeeq along with up-and-comers like Eddie Kaine and…
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Manatee Commune: Simultaneity
What is the difference between downtempo, ambient, trip-hop, and chillwave? The average person can’t tell you–and truthfully, it doesn’t really matter–but Seattle’s Manatee Commune…
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They Are Gutting a Body of Water: Swanlike (Loosies 2020-2023)
Swanlike (Loosies 2020-2023) by They Are Gutting a Body of Water is a well-bound piece of experimental gold. Featuring the theme song to Dawson’s…
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