Shrapnel: Palace for the Insane
Abandon all hope, ye who enter here. Scrawled above the entrance to hell, it could also be the motto of Shrapnel’s latest undertaking Palace…
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Kehlani: It Was Good Until It Wasn’t
Born and raised in Oakland, Kehlani has worked hard to escape the gloom of an unfortunate childhood. At a very age, she expressed a…
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Deerhoof: Future Teenage Cave Artists
Two-thousand and nineteen marked Deerhoof’s 25th year anniversary, an impressive milestone for a marriage nevermind a band. While no new albums were announced last…
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Ghost Work: You’ll Be Buried With
On paper, the formula that makes Ghost Work tick is promising. Formed out of current and ex-members of popular acts Minus the Bear, Seaweed,…
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SONIKKU: Joyful Death
Joyful Death, the newest release from London-based SONIKKU, is a phoenix rising from the ashes. Tony Donson, the artist behind the pop-oozing debut album,…
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Oh My Girl: Nonstop
In the past month, Oh My Girl has gifted their fans with their latest five-track project, Nonstop. For a K-Pop stan, Nonstop doesn’t heavily…
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Woods: Strange to Explain
What happens when you mash a bunch of multi-instrumentalists together? Easy, you get Woods. Hailing from Brooklyn, Woods consists of some of the best…
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Bottler: Clementine
Lifelong friends turned electronic music duo Pat Butler and Phil Shore, aka Bottler, churned out a two-track demo recently that was picked up by…
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Killswitch Engage: Atonement 2: B-Sides for Charity
Leave it to Killswitch Engage to lead by example in the virus age and give a little extra to fans. 2019 was a fantastic…
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Zsela: Ache of Victory
We’ve been waiting a while for this moment — to finally submerge into Zsela’s deep, oceanic voice that we only caught a glimpse of…
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